ARRI Fujinon Alura 18-80mm T2.6

This cine zoom has discountined to produced.

This lens weight 5 Kg !!! you must have a team to handle it and always with a lens supporter. Comes with hard casing, lens support and 2 pcs. 15mm rods.

It covers 31mm diameter image circle, S35 & academy Super 35

Effective, time saving Cine Zoom. This mostly for a team has 1. AC or 2. AC or Cam. Ass.

Using the latest in optical design technology and innovative manufacturing techniques, the ARRI Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which are significantly smaller and lighter in exchange for a reduced focal range.

All Alura Zooms' color characteristics, as well as their handling, are matched to existing prime lenses in ARRI's outstanding repertoire.

Features Outstanding Optical Performance

High resolution, high contrast Even field illumination Minimized ghost, flares and veiling glare due to FUJINON multi-layer EBC coating Greatly reduced chromatic aberration through the use of extraordinary dispersion glass Minimized breathing, especially at the wide end where it counts 9 iris leaves for round, out-of-focus highlights and a pleasing, organic bokeh Consistent Optical Performance

Consistent contrast, resolution and field illumination across the whole focus and zoom range Matched Zooms

Matched wide and long PL mount zooms for an efficient shooting pace Small size and low weight for quick and easy handling on the set Fast and Steady

T2.6 Consistent aperture over entire zoom range Film Style Ergonomics

Compatible with film and digital ARRI cameras and accessories Robust construction Large, easy-to-read precision focus scales on both sides Matched to existing prime lenses Easy Servicing

High resolution, high contrast Even field illumination Minimized ghost, flares and veiling glare due to FUJINON multi-layer EBC coating Greatly reduced chromatic aberration through the use of extraordinary dispersion glass Minimized breathing, especially at the wide end where it counts 9 iris leaves for round, out-of-focus highlights and a pleasing, organic bokeh Consistent Optical Performance

Consistent contrast, resolution and field illumination across the whole focus and zoom range Matched Zooms

Matched wide and long PL mount zooms for an efficient shooting pace Small size and low weight for quick and easy handling on the set Fast and Steady

T2.6 Consistent aperture over entire zoom range Film Style Ergonomics

DZO, vespid prime, pictor, catta zoom, 12, 16, 20, 21, 25, 35, 40, 50, 75,90, 100, 125, 135, Focus, zoom, and iris barrels are geared in 0.8 mod pitch for interfacing with industry-standard lens accessories such as follow focus units and wireless F/I/Z controls. For easier focus pulling, large focus scales are placed on both sides of the lens barrel. Marked in feet, the focus scales can be quickly changed to meters by an authorized ARRI service provider. Exchangeable front and rear elements are easily serviced and can potentially extend the life of your Alura, Cine lens, ARRI Alexa 35, RED helium, gemini, raptor, komodo, blackmagic ursa pro, bmpcc, bmcc, pro 6k, S35, Sony Venice v2, alexa mini, sxt, lf crop, Zeiss